blossomed into a mutually rewarding relationship. On albums like Love is Dead and Revenge
is Sweet and So Are You (both on Lookout), Frank successfully documented his doormat of a
heart to a rowdy backbeat. On his solo album Show Business Is My Life (Lookout),
Frank assembles a few personal gems and MTX cast-offs, trips of the sparking wires, and
gives them a decent poishing.. The result is an album filled with pleasant surprises,
his songwriting in full view. Frank's been dubbed the punk-pop Noel Coward and like the
cheeky British songwriter, journalists are quick to praise the clever lyrical twists
without fully examining the depth. "[MTX] gets written off and lumped together with bands
that are dismissed for writing novelty songs," says Frank. "That's not what we're doing.
If you listen and read along with the lyric sheet, you realize there's something going
on. When I do my olo shows, you can see the surprise on people's faces. Nobody expects
they lyrics to be good in punk rock." Those solo acoustic shows took some warming-up
to, Frank adds. "The one thing you have to get used to is that you're not loud enough,"
says Frank. "The entire room is having these little side conversations. It's like you
have a backing soundtrac--clinking glasses, people talking about the 49ers. You're up
thre singing about how you want to commit suicide and people are talking about the Forty
fucking Niners." Show Business Is My Life also collect songs that Frank wrote with other
bands in mind. "She Turned Out to Be Crazy" was written for the Queers and put on a
shelf until now (The Queers' Joe King guests). "I'm in Love With What's-Her-Name" was
written for, and eventually recorded with, the Hi-Fives. Other guests on the album
include 'zine architect Aaron Cometbus, Kepi from the Groovie Ghoulies, and Denise and
Helen from Me First. Frank gets to indulge his folk/country side that doesn't wash with
the wild joy of Mr. T Experience. He admits that most MTX songs begin as folk ditties
which then get amplified. Show Business displays some in their primordial state. "She
All Right" is a folky toe-tapper that Frank credits to Jimmie Rodgers. There's a Byrds
influence on"I Made You and I Can Break You." "Bitter Homes and Gardens" is a closeted
homage to George Jones. "I've never managed to have a song sound like a country song,"
says Frank. "I think I came close on 'Bitter Homes and Gardens.'"Though Frank writes many songs about unrequited love, his own relationship is strong. Does his girlfriend ever get paranoid that the songs are somehow inspired by their relationship? Sure, but there's a solution. "Pray for understanding and forgiveness," advises Frank. "I've learned that praying for understanding and forgiveness and granting an indulgnce is your best shot."